Nov 08, 2020

Lauren Sarah Hayes

LIVE STREAM: Jefferson Park, IL, USA

Local and not local music streamed directly from Jefferson Park, Chicago.

Oct 19, 2020

Lauren Hayes

AI Music Creativity

The 2020 Joint Conference on AI Music Creativity will be entirely virtual. This conference brings together for the first time two overlapping research forums: The Computer Simulation of Music Creativity conference (est. 2016), and The International Workshop on Musical Metacreation (est. 2012). The principal goal is to bring together scholars and artists interested in the virtual emulation of musical creativity and its use for music creation, and to provide an interdisciplinary platform to promote, present and discuss their work in scientific and artistic contexts.

Oct 13, 2020

Lauren Hayes


"Moon via Spirit" has been accepted for the music track of the 21st International Society for Music Information Retrieval Conference

Oct 13, 2020

Yanjun Lyu & Lauren Hayes


Yanjun Lyu will present a poster on "Exploring Social Coordination through Computationally Augmented Artifacts using Auditory Feedback" at ISEA 2020.

Oct 09, 2020

Lauren Sarah Hayes

Interference Series

The Interference Series in Flagstaff, Arizona aims to present the work of local, national, and international artists that is experimental, avant garde, or radical in nature. By providing a consistent home for this innovative and exciting art, we hope to serve as a platform for musicians, poets, performance artists, visual artists, dancers, and other yet to be defined styles of performers as well as building a borderless community that supports it.

Sep 14, 2020

Lauren Hayes

Guest Lecture Series in Music Technology

The University of Nebraska at Omaha Music Technology area started a guest lecturer series in the Spring of 2014, and the lecture series continues to this day as one of UNO’s important cultural offerings, in addition to providing curricular enhancement for our Music Technology area. 

Jul 29, 2020

Lauren Sarah Hayes

Noise Quest

Live stream experimental electronic music hosted by Graham Dunning

Jul 24, 2020

Lauren Hayes & Adnan Marquez-Borbon

NIME 2020

Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises

Nearly two decades since its inception as a workshop aspart of the ACM Conference on Human Factors in Computing Systems (CHI), NIME exists as an established international conference significantly distinct from its precursor. While this origin story is often noted, the implications of NIME’s history as emerging from a field predominantly dealing with human-computer interaction (HCI) have rarely been discussed. In this paper, we highlight many of the recent—and some not so recent—challenges that have been brought upon the NIME community as it attempts to maintain and expand its identity as a site for multidisciplinary research into HCI, interface design, and electronic and computer music. We discuss the relationship between the mar-ket demands of the neoliberal university—which have underpinned academia’s drive for innovation—and the quantification and economisation of research performance which have facilitated certain disciplinary and social frictions to emerge within NIME-related research and practice. Draw-ing on work that engages with feminist theory and cultural studies, we suggest that critical reflection and moreover mediation will be necessary in order to address burgeoning concerns which have been raised within the NIME discourse in relation to methodological approaches, ‘diversity and inclusion’, ‘accessibility’, and the fostering of rigorous interdisciplinary research.

Jul 24, 2020

Yanjun Lyu, Brandon Mechtley, Lauren Hayes & Sha Xin Wei


Tableware: Social Coordination through Computationally Augmented Everyday Objects Using Auditory Feedback

HCI International 2020, is jointly with the affiliated Conferences, under the auspices of 21 distinguished international boards of 491 board members from 49 different countries, held under one management and one registration.

May 09, 2020

Bevin Kelly, Akiko Hatakeyama, Lauren Hayes, Auri Hsu

*POSTPONED due to COVID-19* Don’t Call Me a Female Composer—Gender Imbalance in Electronic/Electroacoustic Music

Center for the Study of Women in Society and School of Music and Dance at the University of Oregon.

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