May 19, 2020

Yanjun Lyu


Yanjun Lyu will present a poster on "Exploring Social Coordination through Computationally Augmented Artifacts using Auditory Feedback" at ISEA 2020.

May 09, 2020

Bevin Kelly, Akiko Hatakeyama, Lauren Hayes, Auri Hsu

Don’t Call Me a Female Composer—Gender Imbalance in Electronic/Electroacoustic Music

Center for the Study of Women in Society and School of Music and Dance at the University of Oregon.

May 01, 2020

Lauren Hayes, David Parisi, Mark Paterson, Jessica Rajko

Uncommon Senses III: The Future of the Senses

Uncommon Senses III: The Future of the Senses will be taking place May 1–4 2020 at Concordia University, Montreal, Canada. Submissions are invited from scholars across the social sciences, humanities and arts interested in exploring the future of the senses in a changing world.

Apr 10, 2020

Lauren Hayes

Creativity and Improvisation in Thought, Practice, and Mind

Many human cognitive capacities and processes may be deployed creatively, from unique choices made for oneself up through novel cultural shifts. Similarly, large swaths of our daily lives are taken up with performing spontaneous, on-the-fly, and unplanned activities that are, in a word, improvised.  Charting out the nature of both creativity and improvisation, taken individually or together, remains an open and pressing issue. In this conference, we will delve into various philosophical, theoretical, empirical, and interdisciplinary issues that are related to creativity and improvisation.

Mar 07, 2020

Lauren Hayes

Music Technology Pedagogy Summit

Paper presentation. 

This summit will focus on issues specific to teaching, program design, curriculum design, and other topics related to music technology pedagogy.  We are presenting this summit as part of a year-long artistic residence with Red Desert Ensemble, a group founded by Katie Porter and Devin Maxwell that focuses on experimental and electronic chamber music, commissioning new works, and music entrepreneurship.

Attendees will explore, examine, and discuss challenges and opportunities in music technology pedagogy in all levels of education: primary, secondary, undergraduate, and post-graduate. The day-long summit will feature participant presentations, invited presenters, a panel, and a keynote address by Dr. Linda Antas, associate professor at Montana State University, where her leadership has helped shape a flagship music technology program.

Mar 06, 2020

Lauren Sarah Hayes

MOXSonic - Missouri Festival

Solo performance.

The Missouri Experimental Sonic Arts Festival is operated by the University of Central Missouri Center for Music Technology and the student run MOXsonic Records. The festival takes place at the University of Central Missouri in Warrensburg, Missouri, approximately one hour south-east of Kansas City, Missouri.

Mar 02, 2020

Jack McConnell

AMELG: presents...

Former DC graduate Jack McConnell returns from completing his masters at the University of Birmingham, UK to present and discuss some of his work. 

Feb 28, 2020

Lauren Hayes


Paper presentation. The CHIME Studio (Chicago Integrated Media Experimental Studio) at the University of Chicago will be hosting CIRCULATIONS, a symposium on live audio feedback in art, February 28-29, 2020.  The symposium will include a number of performances and sound installations, as well paper sessions and keynote speaker Dr. Cathy van Eck, professor at the University of the Arts in Bern, Switzerland.

Feb 26, 2020

Ryan Wade Ruehlen, Algae & Tentacles, Chris Piraino, Kristen Milogos, Jimmy Peggie, Lauren Sarah Hayes

Stop! Silence! Now!

Aside Theatre Company Presents: Stop! Silence! Now!
An evening of Sound Art to raise awareness of human rights

Sound art is an artistic discipline in which sound is utilized as a primary medium. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. Sound art can be considered as being an element of many areas such as acoustics, psycho-acoustics, electronics, noise music, audio media, found or environmental sound, soundscapes, explorations of the human body, sculpture, architecture, film or video and other aspects of the current discourse of contemporary art.

Some artistic lineages from which sound art emerges are conceptual art, minimalism, site-specific art, sound poetry, electro-acoustic music, spoken word, avant-garde poetry, and experimental theatre.

Feb 26, 2020

John Melillo

Spacing Voice / Figuring Noise

John Melillo is an assistant professor. He received his Ph.D. in English and American Literature from New York University in 2010. John was an ACLS New Faculty Fellow at the University of Arizona from the fall of 2011 to the spring of 2013. His book project, Outside In: Noisescapes from Dada to Punk examines the influence of noise on poetry and poetics during the twentieth century. He has written and presented work on empathy in sound poetry, the World War I poets of the Western Front, folk-song utopianism, the post-punk band DNA, and other matters of sound and sense. In addition to his academic research in noise, John plays guitar and sings in the band Algae & Tentacles. John’s teaching and research interests include American and British Modernist and Contemporary poetry, poetics and theory, music and literature, experimental media, sound studies, and war culture.

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